I am very high up.
Tomorrow night we slurp their “Nannarella ” ( Anna Magnani ) Cena.
May it be cooked. Maranatha.
May we all .
I am writing this on a rickety machine in Il Monastero. That sea-gull ( enormous ) wakens me early each morning outside – his extraordinary sounds couple a mewling baby, a blackbird warble , a yeller from Guantanamo, an old crones caoine on the Aran Islands in the forties, a manic cackle, a turtle dove and so on. Extraordinary…
This special composer e-shot is to let you know about
the launches of two very exciting projects which are
taking place on Monday and Tuesday of next week.
The first is the launch of our digital archive initiative,
The Irish Composers Project. We are delighted that the newly
appointed Minister for Arts, Heritage and the Gaeltacht,
Jimmy Deenihan TD, will launch this major project for CMC.
The launch will take place in CMC at 12:00pm on Tuesday, 24 May.
On the Monday evening prior to this, 23 May, at 6:00pm, we will
have the launch of our Dublin Literary New Music Trail 2011.
The trail is a celebration of the rich connections between
Irish writers and Irish composers, in recognition of Dublins
UNESCO City of Literature status, and will be launched by
CMC’s Director, Evonne Ferguson.
We hope to see as many of you as possible at either or both
of the events!
He is not late at all. The crumbs shall fall. And the biteens and morsels to enable mighty work continue. Patience . Pazienza. This site needs up-dates. It will. The Works. The Pomps. The Thoughts Behind The Green Door. The Seven Veils. The Seven Sorrows. The Joys. The Glorious Power.
The cats have banished the snakes, it seems. I am certain. Less lizards above near the main house, as the hot sun is cooled by the tramontana from the Cold Mountain. Handling ten instruments now, wind quintet and string quintet, great colouristic fun. Density also an issue, thick or thin strands of music, pull a line out of shape or elongate a section in the middle. The end, my end, will have each of the five wind soloing over a massed string chord. Colour, yes. But we´re back to the interval as building brick, minor second and ( not undangerous ) minor third. That´s all.
” I ”
“Am” , yes, in Arcadian ” Paradise” . This
May night-smells an´awl. Owl ould sonata, my mellow melodia,
my calabroni could …. ( – with my snakes still at their siesta , I do suppose it´s too cool-fresh for any forked tongue; yet my misplaced and unfortunately ungloved weeding right hand tomorrow morning could ivery instantly prove how stupid I was with this ) , my wild insects and birds ands boars and lizards and symphonic night-sounds and right sounds and fight – mate – duel- imbibe – grovel-swallow-vomit-enthuse WHY EVER ?
This May valley , my plain plain, warms up. How separate the dancing work from its poor dancer / its composer ? From its success(es)? – Ballyhoo versus “perfection” of my nocturnal strivings / shrivings ? Take with this dauncer , for once, this my deep breath now, once, for ever, with me: I am beginning my next composition: ” Variations On FRANCIS CORCORAN “.
For winding wind plus strings.
Dear Frank Corcoran,
We will broadcast Quasi una Fuga on monday the 25th of April at 23:00 hours.
kind regards. We will repeat it on May 5th 18:00 hours and on May 15th.
again at 23:00 hours.
Dutch Radio CONCERTZENDER
What then is truth ? In musical form, the shaped shape ?
The crafted micro-details and / or the Big Wow-Thing ? ( eg.
Lutoslawsky´s in 1968 not yet fully completed Second Symphony , the a little later exquisitely sculpted Preparation / Full Slam dramatic plan ? )
The first of two concerts of new Irish music for violin and piano brought the leading duo in the field, Darragh Morgan and Mary Dullea, to King’s Place for a selection of works from the more experimental and modernist fringes.
Apart from Gerald Barry’s 1998 the works were mostly short, and they made a varying impression. Frank Corcoran again convinced me that he is a composer who deserves to be better known in this country. Something about his brambly music reminds me of Maderna – not so much in its style, but in its absolute assurance in teasing lyrical forms from its knotty exterior. Quasi una preludio was precisely poised and, even with the introduction of a sean-nós melody at the end, never watered down its acid bite.
Read more here.
Posted in Concerts, Reviews
Tagged Darragh Morgan, Frank Corcoran, Gerald Barry, Mary Dullea, Musical Pointers
New Irish music at King’s Place
Posted on 7 October 2009 by Tim Rutherford-Johnson|