A word before I slide even more sidewards into oblivion : Is my new work some kind of Conversation With Myself ? Why ever not ? My ( gestating, low cooking ) ALL MY ALTO RHAPSODIES` converses ( with me, certainly , ) “all about “ the Contralto´s layers, her registers, her orchestral accompaniment, her eating / swallowing / in- and digesting and uttering my texts; they are lovingly masticated, savoured , soothed, sung by her whole body. Forty years ago I was worrying : ” Prima la parola e poi la musica.” - That´s now gone. Now it´s all complete cheeks´and glottals , glossolalia and throat´s / lung`s / diaphragm´s pumping, forming, moulding my very lovely text-tone-text-phrase lovingly shaped by me long before ; my shards and shoots and shapes ( and, of course, my shadows. ) Oh. Yes. Before oblivion,okay. Okay, no hysterics in this e-column… I´ll be damned if I play over coy : ” Is this then death” vocal clownery, rather cast-iron forms.
Hot June horse-manure
Binds human flesh with humus
Too tired to die ?
Hot June moon, moan.
Sappho´s thighs dancing like that ?
Steps hot, music light.
Skellig Rock´s weak monks
Saw God in their rheumatism
Please, my God, no more.
Noble Saint Kevin,
His arms outstretched and praying,
Felt no thing, no God
Benjamin Dwyer´s Frank Corcoran Text is at
www.colony.ie Now, today, this minute….
This icy wind ( ” Tramontana ” ) blows straight across our lake from the snowy Apenines; it´s whining storm-force. It chills the bone, though the April sun is warm ( where there´s shelter ) . Here on the West Bank, medieval Gradoli, enormous waves are whipped cold. Never saw the likes of it. As soon as the Tramontana stops blowing and freezing us, we´ll be baked, of course.
Tweaking my texts for my new work, ” MY ALTO RHAPSODIES”. Must contain sharp, arresting pictures plus soaring syllables and high rapture,
quillspilling, windhoverish. Over the top. Like this Tramontana. It will.
Frank Corcoran at 70 Frank Corcoran at 70 To celebrate Irish composer Frank Corcoran’s 70th birthday in 2014 CMC is producing a short portrait film on the composer. The film, The Light Gleams: a portrait of Frank Corcoran, is directed by filmmaker Mark Linnane and features concert footage and interviews with Corcoran on his life and music recorded earlier this year. The film will be screened as part of Concorde’s 70th birthday tribute to Frank Corcoran, which takes place at the ensemble’s Up Close with Music event at the RHA Gallery, Dublin on 27 April from 2.30–4.30pm. The concerts also includes the Irish premiere of Corcoran’s work for solo bass clarinet, A Dark Song, as well as new works by Rhona Clarke and Marie Hanlon, Judith Ring, and Ed Bennett.
Yes, it gets harder. All the time. eg.
For the new ” ALL MY RHAPSODIES “ for Alto and ( Brahms ) Orchestra :
1. I will use my own five Corcoran texts. ( See below )
2. I will watch Brahms´s tessituras ; eg. he approaches a top of E flat / E by a composer´s stealth. – The low Brahms limit is around A or A Flat But I´ll need a dark, erotico, rough-pressed approach to her absolutely lowest F. ( ” Well, is this , then, death ? “ )
1. “ Alto Rhapsody / High, pure, soaring , searing line / My orchestra snores. ”
2. “ For the womb the seed sighs / Thresh and turn and disappear / The high silence drowned…. ”
3. ( – Thus I translated my beloved 1778 Tipperary folksong ” The Prison Of Clonmel ” / ” Priosún Cluain Meala” – a stupendous, Mahlerian / ” quasi militare ” vignette, to be repeated four times by my Contralto and Orchstra , each time with my rhythms, colours,
orchestration, etc. a little changed…. )
“ One short year ago / I strutted to Ardpatrick / To put lace on my bonnet / / Next Friday evening / they´ll shove my head on a pike / It will be snowing on my soul… ”
4. “ Suppose God is light ? / My eye tries to see itself / Soft horns , clarinets.
5. “ Whisper, whisper ” tramonto “ / Tiptoes through my dark window . / Well, is this, then, death ?
What is history ? What is Papal history ? e.g. does a stop-the-traffic-and-ALL-other-visitors to these Viterbo Bagni ( Terme dei Papi Papal visit of a Culo Papale in eg. Dante´s time or even today ( yes, it still happens ) constitute history ?
History of the particular Culo Papale ? Of its Pope? Of his entourage ? Of his times and pomps and fears ? Of theirs ? Whose Cosmic Indifference ( I intend these capitals ) can help our historian here ? Sulphur , noble and healing friend of all our culi, of our scabies and our soul´s gout and skin´s rabies and scurvy worse , was misused, apparently, by John Milton and Co. ( the Jahwist ? From which King James´s ” brimstone “, then ? ) to hot up our hots and to lave our sodomies and our Papal differences and superbic self-lacerations for all of, ahem, recorded time ; I pondered as I raised my own humble(d) culo out of these hot and healing and laving waters of our Thermal Culo Bath.
Maybe it now helps me to compose my newest ALTO RHAPSODY, that chalumeau – Brahmsian , superb and flowing line, my ( Brahmsian ) orchestral chording and voice-accompanying , a melting Satz. Singing the High Song. Ecstasy pure.
April 27 2014
Dublin Royal Hibernian Academy 14.30 to 16.30
Concorde Concert including Irish Premiere of Frank Corcoran´s ” A DARK SONG “ for Solo Bassclarinet ( Paul Roe ) and – for Frank´s
Seventieth Birthday - the first screening of C.M.C.´s commissioned Frank Corcoran film ( Mark Linnane )
2015 An Bhliain Nua 2015. 13ú Márta.
Dublin Premiere of Frank Corcoran´s stunning new CELLO CONCERTO
( NSO / great soloist Martin Johnson´s resined cellow bow. Molto. )
Until I´d hatched and birthed the 2012 VIOLIN CONCERTO , I wasn´t ready to attempt these 4 mighty movements, my solo cello line as both singing song / weaving scéal/ soaring ecstasy, pitted against.
Yes, I, this composer, am also pitted against mighty Dvoak and incomparable Lutoslawsky. I´ll do it.